
The Good?
Hou Hsiao-hsien and Mark Lee Ping-bin showcase their visual genius with gorgeous nightlife composition and meaningful mundane, static imagery to create another Chungking Express and What Time is it There in cinematography at least, for the new millennium
The film glorifies Shu Qi in everything from stunning slow-motion reflective scenes over a steady beat of electronica to subtle facial expression and acting. It forces you to fall in love with her
The trendy style is perfect and a wonder to behold on a big screen. Hou Hsiao-hsien knows precisely how to make us feel we are a part of this lifestyle with a very evocative and memorable tone.
The Bad?
The plot is unclear and unnecessarily complicated. The premise is simple, and thus requires filler, but it becomes a problem when that affects the main storyline.
Jack, her perfect guy, is too rushed in and has poor chemistry with the limited number of scenes he has with Vicky.
The characters are not particularly likeable nor memorable, leaving much to be desired from the film content-wise. It only shows an interesting perspective of Taiwanese youth culture, but there is a genre for that called the documentary.
C-
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